Russo Brothers about RRR Movie

RRR- Russo Brothers! Rajamouli! Rajeev Masand!

The Exciting Interview to know about!!!

Russo Brothers about RRR movie: One of the most successful movie makers of Hollywood Russo Brothers (Anthony and Joe Russo) interacted with India’s most successful director SS Rajamouli through a virtual meeting along with the Indian famous film critic and journalist Rajeev Masand.

Russo Brothers about RRR movie
RRR- Russo Brothers! Rajamouli! Rajeev Masand! Latest Interview

Avengers: Infinity War (2018) and Avengers: Endgame(2019) fame directors expressed their opinion about India’s biggest and latest blockbuster movie RRR(2022).

The Russo Brothers remarked that RRR (2022) is one of the best epic action movies made in recent times.

SS Rajamouli was overwhelmed by the response of the top Hollywood directors by expressing his feelings that his films have started to reach more in other parts of the world, thereby winning many audiences’ hearts.

This interaction was promoted by Entertainment Weekly, where the duo expressed about their recent films namely The Gray Man(2022) and RRR(2022).

Russo Brothers about RRR movie
-Russo Brothers about RRR movie: Interacts with S.S.Rajamouli along with Rajeev Masand through a virtual interview

Russo Brothers about RRR movie: Official Tweet from Russo Brothers and SS Rajamouli

Russo Brothers Official Tweet expressing their happiness to meet India’s best director SS Rajamouli:

-Russo Brothers’ tweet

SS Rajamouli’s reply tweet to Russo Brothers expressing his joyous moment:

-S.S.Rajamouli’s reply to Russo Brothers on Twitter

Russo Brothers About RRR Movie: Superb comments from the top Hollywood director

“You have to track it through character. And I think that’s something that Raja does very well, especially in RRR.

This is a very profoundly emotional story, with spectacle as a backdrop and a vehicle by which that story is told.

But at the center of it, is a profoundly emotional story of brotherhood.

And I think, you know, that’s essential mythology that can translate to any culture around the world.

The same is true for the work we do, as we try to find that essential theme is important to us.”

-Russo Brothers about RRR movie on being asked that the humor, drama, and emotion don’t get weighed down by the spectacle.
Russo Brothers About RRR Movie
-Russo Brothers About RRR Movie

Also, Here is Rajeev Masand’s question to the Russo Brothers about the RRR movie:

“Have You have the two of you seen anything of RRR? Have You Seen”

-Rajeev Masand’s question to Russo Brothers about RRR Movie

Here is the superb response from Russo Brothers to this answer:

Oh, I’ve seen RRR, it’s amazing. It’s incredible. I mean, I think what’s so amazing about it, is the level of emotion that it evokes combined with the spectacle.

And, I would say that you know, we have found that one of the advantages of digital distribution, is we seem to be in a position where we’re always defending an agnostic approach to filmmaking because you know we see value in all levels of distribution, whether it be theatrical or digital.

But, digital has endorsed and allowed for more diversity than Hollywood has.

When you’re talking about RRR finding a new audience via digital distribution, that is the primary example of its value.

-Russo Brothers about RRR movie

SS Rajamouli’s statement about RRR Movie gaining popularity worldwide:

“One thing is like, first of all, I am actually angry with Netflix because they took only the Hindi version, not the stuff before. So that is, I have a complaint against them.

The second thing is, yes I was surprised with the reception from the west like we were discussing before that ‘A good story, is a good story, for everyone. But I didn’t think I could make films with Western sensibilities. I never believed myself. So when it came out on Netflix and people started watching it and the word of mouth started spreading when the critics started giving out good reviews for that.

Yes, I was really, really surprised. And yes, it wouldn’t have been possible without Netflix for that I have as I have great regard for them”.

-SS Rajamouli, on being asked why was Netflix the right home for RRR movie and for its grand success
Russo Brothers about RRR Movie: S.S Rajamouli about his movie RRR gaining popularity worldwide
-S.S Rajamouli about his movie RRR gaining popularity worldwide

On being asked about doing films or web series that can directly stream on Netflix after RRR’s success, Here is what the master-mind SS Rajamouli said:

“I mean, I have some of the ideas which I have been contemplating taking for streaming, irrespective of the success of RRR which I mean, for a long time.

For example, the Ponniyin Selvan which Mani Ratnam sir is doing now, for a long time, I had that in my mind to make it for streaming because that was a perfect way, to tell that particular story.

You can’t tell that story easily (Ponniyin Selvan) in a film, but if you have a web series kind of a thing, where you know, you can tell the story in 8 hours, 10 hours, or 15 hours or 20 hours…

There are many stories that we have in which, the web series is the right platform Joe, was explaining earlier (referring to one of the Russo Brother’s statements).

I have a few thoughts like that, that have got nothing to do with the success of RRR. And I always had that thought”.

-S.S. Rajamouli about directing web series

Also, Rajamouli stated about Indian stories and emotions and Indian historical traces in his previous films Baahubali and RRR:

“Yeah, basically I believe that a good story is a good story for all people across the globe whichever country they are in.

But to take a story, to cross the boundaries, and for a story to cross cultures, there are many-many hurdles, but I think that the principal hurdle is belief.

Principally if I don’t believe that I have a good enough story that transcends boundaries, then there is no way. I can make the other audiences believe that I have that story.

So I think, principally it is the belief, that if we have that, the other hurdles can be crossed.

It is the same as in America, as in India, as in Japan. You know it is the same. It doesn’t change. But how we tell that emotion changes, the nuances will change, but the core emotion remains the same.

But the way if I don’t tell my story the way I envisioned it and I keep thinking aboutwhat others are going to envision, then I think I ‘m not doing a justice for both the people “

-SS Rajamouli about his the concept of stories in depth to connect well with audience

Rajamouli’s statement when compared with Russo Brothers’ film makings:

“Please don’t put them and me on the same platform. They have had a mountain of success. I still have a small amount of success.

So, please don’t put us on the same platform”.

-Rajamouli’s statement when compared with Russo Brothers’ film makings

Rajamouli’s above statement shows his simplicity and humble nature on how a person should be down to earth even after achieving success in life.

Russo Brothers about RRR movie: Official Video interacting with SS Rajamouli through virtual mode along with Rajeev Masand

-Complete Interview of Russo Brothers and S.S Rajamouli released officially

Russo Brothers about RRR movie: Overall News

It is a proud moment for the Telugu film industry as well as the Indian film industry that an Indian director S.S. Rajamouli is praised a lot by Hollywood’s top director Russo Brothers for his movie Baahubali: The Beginning(2015), Baahubali: The Conclusion(2017) and RRR(2022) as well as audiences all over the world.

Also, it is a fact that S.S Rajamouli showed the way for other Indian film directors to make Pan-India movies with his epic blockbuster films such as Baahubali: The Beginning(2015) and Baahubali: The Conclusion(2017).

Let us wish India’s best director S.S. Rajamouli to come up with more films like this in upcoming years to make our nation proud and entertain audiences all over the world!!!

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3 thoughts on “Russo Brothers about RRR movie: Interacts with SS Rajamouli! Interesting and Exciting News To Know!”
  1. ื—ื‘ืจืช ืงื•ื•ื™ื ื”ืคืงื•ืช ื”ื™ื ื—ื‘ืจื” ื•ืชื™ืงื” ื•ื‘ืขืœืช ื ื™ืกื™ื•ืŸ ืจื‘ ื‘ืชื—ื•ื ืฉืœ ื”ืคืงื•ืช ื“ืคื•ืก ื•ื‘ืžื™ื•ื—ื“
    ืื ื• ืžืชืžื—ื™ื ื‘ื”ืคืงืช ืฉื•ื‘ืจื™ ืชืฉืœื•ื, ื”ื˜ื‘ืขื•ืช, ืžืขื˜ืคื™ื•ืช, ืคื ืงืกื™ ืฉื™ืงื™ื,
    ืฉื™ืงื™ื ืจืฆื™ืคื™ื ื•ืฉื™ืงื™ื ื‘ื“ื™ื“ื™ื. ืื ื• ื‘”ืงื•ื•ื™ืŸ ืขื™ืฆื•ื‘ื™ื” ืžืชืžื—ื™ื ื‘ืขื™ืฆื•ื‘ ืื™ืจื•ืขื™ื ื ืขืฆื‘
    ืœื›ื ืืช ื”ืื™ืจื•ืข ื•ื ื”ืคื•ืš ืœื›ื ืืช ื”ืื™ืจื•ืข ืœื™ื•ืชืจ ืžืžื•ืฉืœื.
    ื›ืš ื’ื ืœื’ื‘ื™ ืคื ื˜ื–ื™ื•ืช ืžื™ื ื™ื•ืช, ื‘ื—ืจ ืืช ื ืขืจืช ื”ืœื™ื•ื•ื™
    ืฉื”ื—ืฉืง ื”ืžื™ื ื™ ื•ื”ื”ืขื“ืคื•ืช ื”ืžื™ื ื™ื•ืช ืฉืœื” ืชื•ืืžื•ืช ืืช ืฉืœืš ื•ืืชื” ืขื•ืžื“ ืœืขื‘ื•ืจ ืืช ื”ื—ื•ื•ื™ื” ื”ื˜ื•ื‘ื” ื‘ื™ื•ืชืจ ื‘ื—ื™ื™ืš.
    ื ืขืจืช ืœื™ื•ื•ื™ ื—ื“ืฉื” ื‘ื—ื™ืคื” ื—ืžื•ื“ื” ื‘ืžื™ื•ื—ื“ ื”ื™ื
    ื™ื•ื“ืขืช ืื™ืšโ€ฆ ื ืขืจื•ืช ืœื™ื•ื•ื™ ื™ื›ื•ืœื•ืช ืœื”ื™ื•ืช ืฆืขื™ืจื•ืช, ืžื‘ื•ื’ืจื•ืช ืื• ื ืขืจืช ืœื™ื•ื•ื™ ื‘ืช 22 ืœืžืœื•ืŸ ื”ืžืขื ื™ืงื”
    ืขื™ืกื•ื™ื™ื ืžืคื ืงื™ื, ืขื™ืกื•ื™ ื‘ื•ื“ื™ ืžืกืื–’, ืขื™ืกื•ื™ ืžืคื ืง ืœื’ื‘ืจ ื•ืขื•ื“.
    ืื“ืจื™ื›ืœื™ืช. ื•ืฆืžื—ืชื™ ืžืชื•ืš ืืชืจ ื”ื‘ื ื™ื” ืื ื™ ื‘ืช ืœืžืฉืคื—ื”
    ืื”ื•ื‘ื” ื•ืžื“ื”ื™ืžื” ืฉืœ ืคื•ืขืœื™ ื‘ื ื™ื™ืŸ ืžื—ื•ื ื ื™ื.
    ืื ื™ ื˜ืœื™ ื–ืจื—ื™ื” ืคืจื•ืžื•ื‘ื™ืฅ. ื›ืืŸ ืื™ืŸ ืฆื•ืจืš ืœื”ื–ืžื™ืŸ ื—ื“ืจื™ื ืžืจืืฉ ื•ืœื”ื’ื™ืข ื‘ืฉืขื” ืžืกื•ื™ืžืช –
    ืื ื™ืฉ ืžืงื•ื ืคื ื•ื™ ืืชื ื™ื›ื•ืœื™ื ืœื”ื™ื›ื ืก ื•ืœื‘ืœื•ืช ื‘ื“ื™ืจื•ืช.
    ื›ืืŸ ืชื•ื›ืœื• ืœื”ื™ื›ื ืก ืœืžืงืœื—ืช ื•ืœืชืช ืœื ืขืจื” ืœืกื‘ืŸ ืœื›ื ืืช ื”ื’ื‘ ื•ืืช
    ื”ืื–ื•ืจื™ื ื”ืื™ื ื˜ื™ืžื™ื™ื ืœืื˜ ื•ื‘ืขื“ื™ื ื•ืช.
    ื”ื™ื›ื ืกื• ืืœื™ื ื• ื•ืžืœืื• ืืช ืคืจื˜ื™ื›ื ื‘ืืชืจ.
    ื‘ืืชืจ ื”ืื™ื ื˜ืจื ื˜ ืชื•ื›ืœื• ืœืžืฆื•ื ืžื™ื“ืข ืืžื™ืŸ ื•ืžืขื•ื“ื›ืŸ ืขืœ ืฉื™ืจื•ืชื™ ืขื™ืกื•ื™ ืื™ืจื•ื˜ื™ ื‘ื—ื•ืœื•ืŸ.
    ื’ื ืื ืชื–ืžื™ื ื• ืขื™ืกื•ื™ ืžืคื ืง ืœื‘ื™ืช ื”ืžืœื•ืŸ ื‘ื‘ื™ืช ืฉืžืฉ ืฉื‘ื• ืืชื ืฉื•ื”ื™ื ื‘ื‘ื™ืจื”, ื”ืื•ื•ื™ืจื” ืชืฉืชื ื”, ื”ืื•ืจื•ืช ื™ืชืขืžืžื• ื•ื ืจื•ืช
    ืจื™ื—ื ื™ื™ื ื™ื”ื™ื• ื‘ื›ืžื” ืคื™ื ื•ืช
    ื”ื—ื“ืจ, ืืชื ืชืฉื›ื‘ื• ืจืง ืขื ืžื’ื‘ืช ืขืœ ื’ื•ืคื›ื ืฉืชืจื“ ืื˜, ืื˜,
    ื›ื›ืœ ืฉื”ืขื™ืกื•ื™ ื™ืขื‘ื•ืจ ืœื—ืœืงื™ื ื”ืฉื•ื ื™ื ื‘ื’ื•ืฃ.

  2. ื‘ืžื™ื“ื” ื•ืืชื ืžืขื•ื ื™ื™ื ื™ื ื‘ืขื™ืกื•ื™ื™ื ืื—ืจื™ื ื›ื“ื•ื’ืžืช
    ืขื™ืกื•ื™ ื˜ื ื˜ืจื”, ื™ื”ื™ื” ื›ื“ืื™ ืœืชืื ืฆื™ืคื™ื•ืช ืžืจืืฉ
    ืืœ ืžื•ืœ ื”ืžืขืกื” ื•ืœื”ื‘ื˜ื™ื— ื›ื™ ื”ื•ื ืื›ืŸ ื™ื›ื•ืœ
    ืœื”ืขื ื™ืง ืœื›ื ืืช ื”ืขื™ืกื•ื™ ื”ืกืคืฆื™ืคื™ ื”ื–ื”.
    ื›ืฉืืชื ืžืชืขื ื™ื™ื ื™ื ืœื’ื‘ื™ ืขื™ืกื•ื™ ื‘ื”ืจืฆืœื™ื”, ื“ืขื• ื›ื™
    ืคืชื•ื—ื•ืช ื‘ืคื ื™ื›ื ืฉืชื™ ืืคืฉืจื•ื™ื•ืช
    ืขื™ืงืจื™ื•ืช: ืขื™ืกื•ื™ ื‘ื”ืจืฆืœื™ื” ื”ืžืชื‘ืฆืข ื‘ื‘ื™ืช ื”ืคืจื˜ื™
    ืฉืœื›ื ืื• ืขื™ืกื•ื™ ื‘ื—ื•ืœื•ืŸ ื”ืžืชื‘ืฆืข ื‘ืงืœื™ื ื™ืงื” ืคืจื˜ื™ืช.
    ื‘ื—ื•ืจื” ืคืจื˜ื™ืช ืœื—ืœื•ื˜ื™ืŸ, ืขืจื‘ื™ื” ื™ืฉืจืืœื™ืช ืืžื™ืชื™ืช ื—ื“ืฉื” ื‘ืขื™ืจ ื‘ืืจ ืฉื‘ืข.
    ืœืžืขืฉื” ืื–ื•ืจ ื”ืžืจื›ื– ืžืชื—ื™ืœ ืžืืฉื“ื•ื“ ื‘ื“ืจื•ื ื•ืขื“ ืœื ืชื ื™ื” ื‘ืฆืคื•ืŸ ื•ื‘ืชื•ื›ื” ื ื›ืœืœื™ื ื’ื
    ื™ืฉื•ื‘ื™ื ื›ืžื• ืจืืฉื•ืŸ ืœืฆื™ื•ืŸ ื•ืจื—ื•ื‘ื•ืช ืืฉืจ
    ืœืžืขืฉื” ื ืžืฆืื™ื ื‘ืขืฆื ื‘ื›ืœืœ ื‘ืฉืคืœื” – ื›ืš ืฉืœืžืขืฉื” ืขื“ื™ืฃ ืœื”ื™ื›ื ืก ืœืžื•ื“ืขื•ืช ืœืคื™ ื”ืงื˜ื’ื•ืจื™ื” ืฉื ืžืฆืืช ื‘ืขื™ืจ ืฉืœื›ื ืื• ืืฉืจ ื ืžืฆืืช ืงืจื•ื‘ ืœืžืงื•ืžื›ื.
    ื™ืฉื ื ื’ื‘ืจื™ื ืืฉืจ ืจืง ืจื•ืฆื™ื ื—ื‘ืจื” ื•ื”ื ืžื–ืžื™ื ื™ื ืืช ื”ื ืขืจื•ืช ืœืžืกืขื“ื•ืช ืื• ื‘ืชื™ ืงืคื”.
    ื ืขืจื•ืช ืœื™ื•ื•ื™ ื‘ื—ื™ืคื” ื™ื“ื•ืขื•ืช ื‘ืื™ื›ื•ืช ืฉืœื”ื ื•ื–ืืช ืžืฉื•ื ืฉื”ืŸ ืžื ื•ืกื•ืช
    ื•ืžืชื•ืจื’ืœื•ืช ืขื ืžื‘ื—ืจ ืกื•ื’ื™ื ืฉืœ
    ื’ื‘ืจื™ื. ื‘ืืชืจ ืชื•ื›ืœื• ืœื”ื ื•ืช ืžืฉื™ืจื•ืช ืื™ืฉื™, ื“ื™ืกืงืจื˜ื™ ืœื—ืœื•ื˜ื™ืŸ ื•ื‘ื• ืชื•ื›ืœื•
    ืœืคื’ื•ืฉ ื ืขืจื•ืช ืœื™ื•ื•ื™ ืจื‘ื•ืช ื”ืžืฆื™ืขื•ืช ืฉื™ืจื•ืชื™ ืขื™ืกื•ื™ ื‘ืœื‘ื“!
    ื—ืœืง ืžื”ืžื•ื“ืขื•ืช ื‘ืืชืจ ื”ืŸ ืืคื™ืœื• ืฉืœ ื ืขืจื•ืช ืœื™ื•ื•ื™ ื‘ืชืžื•ื ื•ืช ืืžื™ืชื™ื•ืช ื•ื—ืœืงืŸ ืืคื™ืœื• ืขื ืคื ื™ื ื—ืฉื•ืคื•ืช.

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